DEPARTMENT OF NUTRITION

UNIVERSITY OF CALIFORNIA, DAVIS

OLYMPIC CENTENNIAL

ATHLETIC, SPORT, RECREATION

BIBLIOGRAPHY PROJECT

DANCE:

BALLROOM - BELLY - ETHNIC - HISTORICAL -

RELIGIOUS - SQUARE - TAP

Compiler

L. Grivetti

Professor of Nutrition

Department of Nutrition

University of California

Davis, CA 95616

FAX: (916) 752-8966)

e-mail: legrivetti@ucdavis.edu

Graduate Research Assistants

Susan Harvey

Virginia Bennett

Undergraduate Research Assistants

Roberto Cardarelli

Mary Daugherty

Alison Kirschner

Keókani Marciel

Cheryl Morgan

Shawa Moataz

Susan Napierala

Joseph Vu

Adiputra, I.N. 1994. The improvement effect of Modern Balinese Baris Dancing Exercise on body composition, blood pressure and heart rate. Journal of Human Ergology. 23: 93-99.

Adiputra, [I].N., S. Djojonegoro, S. Soekarman, and A. Manuaba. 1992. The effect of modern Balinese Baris dancing exercise (MBBDE) on serum lipid profiles. Journal of Human Ergology. 21: 119-124.

Ajayi, O.S. 1989. Aesthetics of Yoruba recreational dances as exemplified in the 'Oge' Dance. Dance Research Journal. 21: 1-8.

Aldrich, E. 1991. From the ballroom to hell: grace and folly in nineteenth-century dance. Evanston, Illinois: Northwestern University Press.

Amort, A. 1995. Dances of the outcasts. The legacy of expressionist dance in Austria on the 50th anniversary of the liberation from Nazism. Ballett International. August: 64-65.

Analysis. 1825. Analysis of the London ball-room: in which is comprised, the history of the polite art, from the earliest period, interspersed with characteristic observations on each of its popular divisions of country dances... London: T. Tegg.

Banerji, S.C. 1976. Fundamentals of ancient Indian music and dance. Ahmedabad: L.D. Institute of Indology.

Bartholomew, R.E. 1994. Tarantism, dancing mania and demonopathy: the anthro-political aspects of mass psychogenic illness'. Psychological Medicine. 24: 281-306.

Baum, E.L. 1926. Russian peasant dances, compiled and supplied with complete dance instructions. Chicago: Clayton F. Summy Company.

Begho, F.O. 1984. Black dance continuum: reflections on the heritage connection between African dance and Afro-American jazz dance. Unpublished thesis, Ph.D. dissertation.

Berk, F. 1960. The Jewish dance; an anthology of articles. Sponsored by the American Zionist Youth Council. New York: Exposition Press.

Berk, F. 1972. Ha-rikud: the Jewish dance. New York: American Zionist Youth Foundation.

Berk, K.D., and F. Berk. 1948. Jewish folk dance book. New York: National Jewish Welfare Board.

Bharata M. 1971. Tandava Laksanam; or, The fundamentals of ancient Hindu dancing; being a translation into English of the fourth chapter of the Natya sastra of Bharata, with a glossary of the technical dance terms. New Delhi: Munshiram Manoharlal.

Bhavnani, E. 1965. The dance in India: the origin and history, foundations, the art, and science of the dance in India, classical, folk, and tribal. Bombay: D. B. Taraporevala Sons.

Boshoff, P.H. 1978. The therapeutic value of ballroom dancing. South African Medical Journal. 54: 555.

Brandes, S. 1990. The sardana: Catalan dance and Catalan national identity. Journal of American Folklore. 103: 24-42.

Braun, D.D. 1969. Toward a theory of popular culture: the sociology and history of American music and dan (9 pages)gan: Ann Arbor Publishers.

Buck, E.A. 1991. Rakkasah: an American Middle Eastern dance festival: recreating and re-creating self through the other. Unpublished thesis, Ph.D. dissertation.

Buonaventura, W. 1989. Serpent of the Nile: women and dance in the Arab world. London: Saqi.

Burchenal, E. 1924. Rinnce na Eirann: National dances of Ireland: containing twenty-five traditional Irish dances.... collected from original sources in Ireland... New York: A. S. Barnes.

Bushey, S.R. 1966. Relationship of modern dance performance to agility, balance, flexibility, power, and strength. Research Quarterly. 37: 313-316.

Carty, H.S. 1988. Folk dances of Jamaica: an insight: a study of five folk dances of Jamaica with regard to the origins, history, development, contemporary setting and dance technique of each. London: Dance Books.

Chalif, L.H. 1921. Russian festivals and costumes for pageant and dance. New York: Chalif Russian School of Dancing.

Champe, F.W. 1983. The Matachines dance of the upper Rio Grande: history, music, and choreography. Lincoln: University of Nebraska Press.

Chappell, W. 1965. The ballad literature and popular music of the olden time; a history of the ancient songs, ballads, and of the dance tunes of England, with numerous anecdotes and entire ballads; also, a short account of the minstrels. New York: Dover Publications.

Chivers, G.M.S. n.d. The dancers' guide... to which is added the etiquette of a ball-room... London: T. Denham.

Clarke, A.C., and R.F. Spencer. 1990. Fracture-dislocation of the cervical spine: complication of traditional Zulu dancing. Journal of the Royal College of Surgeons of Edinburgh. 35: 266.

Clarke, M., and C. Crisp. 1981. The history of dance. New York: Crown Publishers.

Cobau, J.S. 1978. The ballroom Minuet of the eighteenth century. Unpublished thesis, Ph.D. dissertation.

Cohen, J.H. 1993. 'Danza de la pluma.' Symbols of submission and separation in a Mexican fiesta. Anthropological Quarterly. 66: 149-159.

Cohen, S.J. 1974. Dance as a theatre art; source readings in dance history from 1581 to the present. New York: Dodd, Mead.

Cohen, S.J. 1992. Dance as a theatre art: source readings in dance history from 1581 to the present. 2nd Edition. Princeton, New Jersey: Princeton Book Company.

Companion to the Ball Room. 1816. A companion to the ball room: containing a choice collection of the most original and admired country dance, reel, hornpipe, & waltz tunes, with a variety of appropriate figures, the etiquette and a dissertation on... with 14 quadrilles, the cushion dance.... 3rd Edition. London: Sherwood, Neely and Jones.

Connors, S.M. 1994. Ghost dance eschatology and the New World: towards an understanding of Native American religious resistance in the context of American History. Unpublished thesis, Ph.D. dissertation.

Crawford, R.C. 1992. The modernization of Irish dance: an exposition of recent changes. Unpublished thesis, Ph.D. dissertation.

Cree, A.M. 1920. Handbook of ball-room dancing. London: John Lane.

Cwieka-Skrzyniarz, R. 1984. The elegant Polish running-sliding dance: obertas... the Polish figure dance book: a compendium of ballroom and stage dance figures for historical and contemporary choreographers and dance leaders. Irvington, New Jersey: R. Cwieka.

Daniels, M. 1981. The dance in Christianity: a history of religious dance through the ages. Ramsey, New Jersey: Paulist Press.

De Walden, E. 189?. De Walden's Ball-room companion; or, Dancing made easy. A collection of the fashionable drawing-room dances, with full directions for dancing all the figures of "the german." New York: Dick & Fitzgerald.

Dick's Quadrille. 1895. Dick's quadrille call-book, and ball-room prompter....To which is added a sensible guide to etiquette and proper deportment in the ball and assembly room. New York: Dick & Fitzgerald.

Downey, C.R. 1968. The classical heritage and preservation of Thailand's dance drama. Unpublished thesis, Ph.D. dissertation.

Durang, C. 185? The ball-room bijou, and art of dancing: containing the figures of the polkas, mazurkas, and other popular new dances, with rules for polite behavior. Philadelphia: Fisher.

Emmanuel, M. 1916. The antique Greek dance, after sculptured and painted figures. Translated by H.J. Beauley. New York: John Lane Company.

Emmerson, G.S. 1971. Rantin' pipe and tremblin' string; a history of Scottish dance music. Montreal: McGill-Queen's University Press.

Emmerson, G.S. 1972. A social history of Scottish dance; ane celestial recreatioun. Montreal: McGill-Queen's University Press.

Fleming, B. 1994. Toward a theory of dance history. Ballet Review. 22: 64-72.

Fletcher, I.K. 1948. Dance: a catalogue of books, music, prints, medals, autograph letters & photographs relating to ballet, ballroom dancing, country dancing & mime. London: I.K. Fletcher.

Flores, R. 1995. Dance for health: improving fitness in African American and Hispanic adolescents. Public Health Reports. 110: 189-193.

Forner, M.L. 1993. The transmission of Oriental dance in the United States: from raqs Sharqi to "belly dance." Unpublished thesis, Ph.D. dissertation.

Georgiades, T.G. 1956. Greek music, verse and dance. Translated by E. Benedikt and M.L. Martinez. New York: Merlin Press.

Ginner, R. 1933. The revived Greek dance; its art and technique... London: Methuen and Company.

Ginner, R. 1963. The technique of the revived Greek dance; technical handbook for teachers and students. London: Imperial Society of Teachers of Dancing.

Harding, M.M. 1978. The therapeutic value of ballroom dancing. South African Medical Journal. 54: 304.

Haskins, J. 1990. Black dance in America: a history through its people. New York: T.Y. Crowell.

Hays, J.C. 1967. Effect of two regulated changes of tempo upon emotional connotations in dance. Research Quarterly. 38: 389-397.

Hazard, W.P. 1848. The ball-room companion: a hand-book for the ball-room and evening parties. Philadelphia: G.S. Appleton.

Henderson, N. 18?? Etiquette of the ball-room and guide to all the new and fashionable dances: containing the steps and figures of quadrilles, valses, polkas ... with hints and instructions respecting toilet and deportment... 9th Edition. London: Benjamin Blake.

Hill, K. 1976. Dance for physically disabled persons : a manual for teaching ballroom, square, and folk dances to users of wheelchairs and crutches. Washington, D.C.: American Alliance for Health, Physical Education and Recreation.

Housewright, W.L. 1991. A history of music & dance in Florida, 1565-1865. Tuscaloosa: University of Alabama Press.

Howe, E. 1858. Complete ball-room hand book, containing upwards of three hundred dances... Boston: Ditson.

Hughes, R.M. 1933. Dance as an art-form, its history and development. New York: A. S. Barnes.

Iliceto, G., P.D. Thompson, B.L. Day, J.C. Rothwell, A.J. Lees, and C.D. Marsden. 1990. Diaphragmatic flutter, the moving umbilicus syndrome, and "belly dancer's" dyskinesia. Movement Disorders. 5: 15-22.

Jansen, J-A. 1974. A description and analysis of four ancient Indian dance forms and their relationship with the origin and development of ancient Greek and medieval English drama. Unpublished thesis, Ph.D. dissertation.

Jette, M., and H. Inglis. 1975. Energy cost of square dancing. Journal of Applied Physiology. 38: 44-45.

Jones, A.M., and L. Kombe. 1952. The Icila dance, old style; a study in African music and dance of the Lala tribe of Northern Rhodesia. Roodepoort: Longmans, Green for African Music Society.

Koceja, D.M., J.R. Burke, and G. Kamen. 1991. Organization of segmental reflexes in trained dancers. International Journal of Sports Medicine. 12: 285-289.

Kraus, R.G. 1969. History of the dance in art and education. Englewood Cliffs, New Jersey: Prentice-Hall.

Lamb, W. 189? Everybody's guide to ball-room dancing : containing an exhaustive summary of all fashionable square dances: and a lucid description of various round dances. London: Saxon.

Laurent, C. 1993. Tap-dancing to health. Nursing Times. 89: 18.

Lawler, L.B. 1964. The dance of the ancient Greek theatre. Iowa City: University of Iowa Press.

Lee, E.S. 1916. Thirty fox trot steps; a graded series of easy steps suitable for the ballroom, gymnasium, or playground, as well as for private exercise at home, either with or without a partner. New York: published by the author.

Lhotsky, M.L. 1993. A history of modern dance in Argentina. Unpublished thesis, Ph.D. dissertation.

Loken-Kim, C., and J.T. Crump. 1993. Qualitative change in performances of two generations of Korean dancers. Dance Research Journal. 25: 13-20.

Lonsdale, S. 1993. Dance and ritual play in Greek religion. Baltimore, Maryland: Johns Hopkins University Press.

Looney, M.A., and B.M. Heimerdinger. 1991. Validity and generalizability of social dance performance ratings. Research Quarterly for Exercise and Sport. 62: 399-405.

Lorius, C., and L. Zaki. 1993. The duality of Egyptian dance. Middle East. 220: 48-49.

Mackenbach, J.P. 1995. Social inequality and death as illustrated in late-medieval death dances. American Journal of Public Health. 85: 1285-1292.

Manuel, P. 1989. Andalusian, gypsy, and class identity in the contemporary flamenco complex. Ethnomusicology. 33: 47-66.

Matthews-DeNatale, G. 1994. Talking Feet, Solo Southern Dance: Buck, Flatfoot and Tap. Journal of American Folklore. 107: 311-313.

McCoy, G. 1961. History of the stomp dance : or, The "sacred fire" of the Cherokee Indian Nation. n.c.: M. Walker.

McLoughlin, W.G. 1990. Ghost dance movements. Some thoughts on definition based on Cherokee history. Ethnohistory. 37: 25-44.

Mealy, C.L. 1983. Historical foundations for dancing the Eucharist: an essay developing liturgical guidelines for the incorporation of dance in the Episcopal Eucharistic Rite II, on the basis of a history and commentary of the... Unpublished thesis, Ph.D. dissertation.

Medellin, O. 1947. Xtol: dance of the ancient Mayan people; murals from the Temple of the Tigers at Chichen Itza, Yucatan, Mexico. [Dallas]: Dallas Museum of Fine Arts.

Meerloo, J.A.M. 1960. The dance, from ritual to rock and roll--ballet to ballroom. Philadelphia: Chilton Corporation, Book Division.

Meyer, M. 1995. Dance and the politics of orality: a study of the Irish 'scoil rince.' Dance Research Journal. 27: 25-38.

Misumi, H. 1981. The history and characteristics of Okinawan dance. New York: The Asia Society.

Moller, H.E. 1967. [On medical experience with a Greek dance]. Landarzt. 43: 275-277.

Moyle, R.M. 1975. Sexuality in Samoan art forms. Archives of Sexual Behavior. 4: 227-247.

Murray, A. 1929. Social dancing: a complete manual of simplified instruction in the art of ballroom dancing. New York: Arthur Murray School of Dancing.

Nandikesvara. 1975. Nandikesvara's Abhinayadarpanam: a manual of gesture and posture used in ancient Indian dance and drama. English translation and notes together with the text critically edited for the first time from original manuscripts... 3rd Edition. Calcutta: Manisha Granthalaya.

Ness, S.A. 1995. When seeing is believing: the changing role of visuality in a Philippine dance. Anthropological Quarterly. 68: 1-13.

Neubauer, F. 1985. The pilgrimage festivals of ancient Israel: dance as an aspect of ritual. Unpublished thesis, Ph.D. dissertation.

Noble, R.M., and E.T. Howley. 1979. The energy requirement of selected tap dance routines. Research Quarterly. 50: 438-442.

Parson, T.E. 1937. Popular ballroom dances, including rumba, big apple, modern waltz, collegiate shag, Parisian tango, Manhattan strut, conservative fox-trot, beginner's fundamentals... New York: Barnes & Noble.

Parson, T.E. 1947. Popular ballroom dances for all; dance fundamentals, the fox-trot, the waltz, the rumba, the samba, the tango [and] the lindy..... New York: Barnes & Noble.

Pask, E.H. 1979. Enter the colonies dancing: a history of dance in Australia, 1835-1940. Melbourne: Oxford University Press.

Peters, S. 1991. From eroticism to transcendence: ballroom dance and the female body. Michigan Quarterly Review. 30: 24-38.

Phillips, M.S. 1991. Both sides of the veil: a comparative analysis of kathak and flamenco dance. Unpublished thesis, Ph.D. dissertation.

Pickett, R.E. 1960. Recurring themes in art, literature, music, drama, and the dance as found in various episodes of classical mythology, religion, and history. New York: n.p.

Powell, P.J. 1969. Sweet medicine: the continuing role of the Sacred Arrows, the Sun Dance, and the Sacred Buffalo Hat in Northern Cheyenne history. Norman, Oklahoma: University of Oklahoma Press.

Reisch, M.F. 1971. Scottish dance, past and present. Unpublished thesis, Ph.D. dissertation.

Resources in Sacred Dance. 1991. Resources in sacred dance: annotated bibliography from Christian and Jewish traditions: books, booklets and pamphlets, articles and serial publications, media, and reference sources..... Peterborough, New Hampshire: Sacred Dance Guild.

Richardson, P.J.S. 1946. A history of English ballroom dancing (1910-45): the story of the development of the modern English style. London: H. Jenkins.

Rodriguez, S. 1994. Defended boundaries, precarious elites: The Arroyo Seco Matachines Dance. Journal of American Folklore. 107: 248-268.

Rosanova, A.M. 1954. Ballroom dancing made easy; dance your way to better health and social recognition. New York: Vantage Press.

Rosenthal, D.A. 1984. The nature of ancient Hebrew dance in the Biblical period. Unpublished thesis, Ph.D. dissertation.

Sachs, C. 1963. World history of the dance. Translated by B. Schonberg. New York: W.W. Norton.

Saleh, M.A.A.G. 1979. A documentation of the ethnic dance traditions of the Arab Republic of Egypt. Unpublished thesis, Ph.D. dissertation.

Sammarco, G.J., and M.M. Stephens. 1991. Neurapraxia of the femoral nerve in a modern dancer. American Journal of Sports Medicine. 19: 413-414.

Saper, A. 1986. The learning and teaching of flamenco dance in Los Angeles and Madrid, 1983-1985. Unpublished thesis, Ph.D. dissertation.

Savigliano, M.E. 1995. Whiny ruffians and rebellious broads: tango as a spectacle of eroticized social tension. Theatre Journal. 47: 83-105.

Schreiner, C. 1990. Flamenco: gypsy dance and music from Andalusia. Translated by M.C. Peters. Portland, Oregon: Amadeus Press.

Sellers-Young, B. 1992. Raks El Sharki: transculturation of a folk form. Journal of Popular Culture. 26: 141-153.

Shelly, M.W., T.Z. Adelberg, and P.H. Hexum. 1967. Notes on satisfactions at a street dance. Psychological Reports. 21: 827-828.

Sommer, S., E. Lipman, and K. Graves. 1990. Capturing the ritual of ballroom dance: time suspended. Dance Magazine. 64: 52-57.

Souritz, E. 1995. Isadora Duncan. Influence on dance in Russia. Dance Chronicle. 18: 281-291.

Southern, E., and J. Wright. 1990. African-American traditions in song, sermon, tale, and dance, 1600s-1920: an annotated bibliography of literature, collections, and artworks. New York: Greenwood Press, 1990.

Sparshott, F. 1995. Some aspects of nudity in theatre dance. Dance Chronicle. 18: 303-310.

Sparti, B. 1993. Antiquity as inspiration in the renaissance of dance: the classical connection and fifteenth-century Italian dance. Dance Chronicle. 16: 373-391.

Sugiyama, M., and K. Fujima. 1937. An outline history of the Japanese dance. Tokyo: Kokusai bunka shinkokai [The Society for International Cultural Relations].

Suhr, M.J.M. 1988. A history of Korean dance. Unpublished thesis, Ph.D. dissertation.

Sweet, J.D. 1981. Tewa Ceremonial performances: the effects of tourism on an ancient pueblo Indian dance and music tradition. Unpublished thesis, Ph.D. dissertation.

Tolman, B., and R. Page. 1937. The country dance book; the old-fashioned square dance, its history, lore, variations & its callers. New York: Farrar & Rinehart.

Tolman, B. and R.Page. 1976. The country dance book : the best of the early contras & squares, their history, lore, callers, tunes & joyful instructions. Brattleboro, Vermont: S. Greene Press.

Tosun, C.B. 1980. An annotated bibliography of major dance articles in Turk folklor arastirmalari [Turkish folklore research], August, 1949-March, 1977. Unpublished thesis, Ph.D. dissertation.

Vestal, S. 1934. New sources of Indian history, 1850-1891; the ghost dance -- the prairie Sioux; a miscellany... Norman, Oklahoma: University of Oklahoma Press.

Wang, K.-F. 1985. The history of Chinese dance. Translated by K. Ruibo. Beijing: Foreign Languages Press.

Washington, E.L. 1978. Musculoskeletal injuries in theatrical dancers: site frequency, and severity. American Journal of Sports Medicine. 6: 75-98.

Waterhouse, D. 1988. Woodcut prints by Harunobu Susuki as a source for the history of Japanese dance. World of Music. 30: 85-107.

Wattanasombat, P. 1981. The dance drama of Thailand. Unpublished thesis, Ph.D. dissertation.

Whiteman, E.F. 1977. A historical study of Hebrew dance from its beginnings to 70 A. D. with implications for use in education. Unpublished thesis, Ph.D.

Willis, C.M. 1991. Tap dance: memories and issues of African-American women who performed between 1930 and 1950. Unpublished thesis, Ph.D. dissertation.

Willis, C. M. 1994. Black women hoofers: tapping their rhythms and telling their stories. SAGE: A Scholarly Journal on Black Women. 8: 20-27.

Wilson, G.E. 1884. Wilson's ball-room guide; or, Dancing self-taught... New York: Excelsior Publishing House.

Wirth, A.C. 1934. Complete quadrille call book and dancing master; containing a full list of calls for all the latest square dances... with measures of time and steps required; also a complete instructor and guide to every known... Chicago: F. J. Drake.

Wisher, P.R. 1972. Psychological contributions of dance to the adjustment of the deaf. Rehabilitation Record. 13: 1-4.

Wuyts, I.J., and M.J. Buekers. 1995. The effects of visual and auditory models on the learning of a rhythmical synchronization dance skill. Research Quarterly for Exercise and Sport. 66: 105-115.

You, H. 1994. Defining rhythm: aspects of an anthropology of rhythm. Culture, Medicine and Psychiatry. 18: 361-84.

Youmans, J.G. 1966. A history of recreational social dance in the United States. Unpublished thesis, Ph.D. dissertation.

Yu P. 1993. Contemporary folk dance in China. Beijing Review. 36: 31-32.

Zussman, M. 1995. Far from the pink chiffon: reshaping erotic bellydance. Whole Earth Review. 85: 34-39.